Bibliography
Neuroaesthetics/Aesthetics
1. V. S. Ramachandran. 2011. The Tell-Tale Brain: A Neuroscientist’s Quest for What Makes Us Human. W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110
2. Anjan Chatterjee, and Eileen Cardillo. 2022. Brain, Beauty, and Art: Essays Bringing Neuroaesthetics into Focus. New York, NY: Oxford University Press.
3. Anjan Chatterjee. 2014. The Aesthetic Brain: How We Evolved to Desire Beauty and Enjoy Art. Oxford, Oxford University Press.
4. Semir Zeki. 1995. A Vision of the Brain. Oxford: Blackwell Science.
5. Semir Zeki.2000. Inner Vision: An Exploration of Art and The Brain. Oxford, Oxford University Press.
6. David Ottoson, Semir Zeki. 1985.Central and Peripheral Mechanisms of Colour Vision. Palgrave Macmillan UK
7. John Onians. 2008. Neuroarthistory: From Aristotle to Pliny to Baxandall and Zeki. Yale University Press
8. Huston, Joseph P. 2019. Art, Aesthetics, and the Brain. Oxford, Oxford University Press.
9. Salmon Resnik. 1995.Mental Space. H. Karnac (Books) Ltd,118 Finchley Road, London NW3 5HT
10. Fauconnier, G. 1994. Mental Spaces: Aspects of Meaning Construction in Natural Language. Cambridge University Press.
11. Oshin Vartanian, Adam S. Bristol, and James C. Kaufman .2013. Neuroscience of Creativity. The MIT Press, Cambridge, Massachusetts London, England
12. Richard S.J. Frackowiak, Karl J. Friston, Christopher D. Frith, Raymond J. Dolan, Cathy J. Price, Semir Zeki, John T. Ashburner and William D. Penny. 2003.Human Brain Function. Academic Press
13. Sinclair NC, Ursell J, South A and Rendell L (2022). “Beethoven to Beyoncé: Do Changing Aesthetic Cultures Amount to Cumulative Cultural Evolution?”. Front. Psychol. 12:663397. doi: 10.3389/fpsyg.2021.663397
14. Chatterjee A. Neuroaesthetics: A Coming-Of-Age Story. J Cogn Neurosci. 2011 Jan;23(1):53-62. doi: 10.1162/jocn.2010.21457. PMID: 20175677.
15. Cinzia DD, Vittorio G. Neuroaesthetics: A Review. Curr Opin Neurobiol. 2009 Dec;19(6):682-7. doi: 10.1016/j.conb.2009.09.001. Epub 2009 Oct 12. PMID: 19828312.
16. Melcher D, Bacci F. Perception of Emotion in Abstract Artworks: A Multidisciplinary Approach. Prog Brain Res. 2013; 204:191-216. doi: 10.1016/B978-0-444-63287-6.00010-5. PMID: 24041325.
17. Boccia M, Barbetti S, Piccardi L, Guariglia C, Ferlazzo F, Giannini AM, Zaidel DW. Where Does Brain Neural Activation in Aesthetic Responses to Visual Art Occur? Meta-Analytic Evidence from Neuroimaging Studies. Neurosci Biobehav Rev. 2016 Jan; 60:65-71. doi: 10.1016/j.neubiorev.2015.09.009. Epub 2015 Nov 24. PMID: 26619805.
18. Cupchik GC, Vartanian O, Crawley A, Mikulis DJ. Viewing Artworks: Contributions of Cognitive Control and Perceptual Facilitation to Aesthetic Experience. Brain Cogn. 2009 Jun;70(1):84-91. doi: 10.1016/j.bandc.2009.01.003. Epub 2009 Feb 14. PMID: 19223099.
19. Calvo-Merino B, Jola C, Glaser DE, Haggard P. Towards A Sensorimotor Aesthetics of Performing Art. Conscious Cogn. 2008 Sep;17(3):911-22. doi: 10.1016/j.concog.2007.11.003. Epub 2008 Jan 22. PMID: 18207423.
20. Emily S. Cross, Luca F. Ticini. 2012.Neuroaesthetics and beyond: new horizons in applying the science of the brain to the art of dance.DOI https://doi.org/10.1007/s11097-010-9190-y
21. Mei Sun, Haocheng Han and Quanhong Jiang.2020.Research on the application of neuroaesthetics in industrial design.https://iopscience.iop.org/journal/1757-899X
22. Michael Adamaszek, Mario Manto and Dennis J. L. G. Schutter. 2022.The Emotional Cerebellum. Springer
23. Mark Turner. 2006.The Artful Mind. Oxford University Press
24. Yoichi Ando.2016. Brain-Grounded Theory of Temporal and Spatial Design .Springer Japan
25. Arthur P. Shimamura and Stephen E. Palmer . 2012.Aesthetic Science: Connecting Minds, Brains, And Experience. Oxford University Press
26. Gene Wallenstein.2009. The Pleasure Instinct. Wiley
27. V.S. Ramachandran. Encyclopedia of the Human Brain. Academic Press
28. Arthur P. Shimamura, Stephen E. Palmer. 2012.Aesthetic Science. Oxford University Press
29. Stephen R. Kellert.1993. The Biophilia Hypothesis. Island Press
Evaluation (Or At Least Honest Judgement) Of the Final Art Products by Viewers
a) There are rough guidelines available from the field of computational aesthetics
· Yasuhiro Suzuki, Katsushi Nakagawa, Takashi Sugiyama, Fuminori Akiba, Eric Maestri, Insil Choi, Shinya Tsuchiya. 2019. Computational Aesthetics. Springer Japan
b) A system of aesthetic evaluation given by Alexander J. Huston and Joseph P. Huston
· Joseph P. Huston, Marcos Nadal, Francisco Mora, Luigi F. Agnati and Camilo J. Cela-Conde .2014. Art, Aesthetics, and the Brain. Oxford, Oxford University Press
c) A well-known model of aesthetic experience given by Helmut Leder
· Leder, H. “A Model of Aesthetic Appreciation and Aesthetic Judgments.” British Journal of Psychology 95 (2004): 489–508
Geometry
20. Jay Bonner.2017. Islamic Geometric Patterns: Their Historical Development and Traditional Methods of Construction. Springer
1. Mario Livio. The Golden Ratio. Broadway Books NY
2. John H. Conway, Heidi Burgeil, Chaim Goodness-Strauss. 2008. The Symmetries of Things. CRC Press
Understanding Serenity and Poise
21. Phillip James Tabb.2018. Serene Urbanism: A Biophilic Theory and Practice of Sustainable Placemaking. Routledge
22. Paul L. Swanson. Clear Serenity, Quiet Insight: T’ien-t’ai Chih-i’s Mo-ho chih-kuan, 3 Volume Set. University of Hawaii Press
23. Stephen Eskildsen. 2015. Daoism, Meditation, and the Wonders of Serenity: from the Latter Han Dynasty (25-220) to the Tang dynasty (618-907). State University of New York Press
24. Morna Laing and Jacki Willson. 2020.Revisiting the Gaze. The Fashioned Body and Politics of Looking. Bloomsbury Visual Arts Publishers
General And Regional Ideas About Balanced “Space”
25. Vyvyan Evans and Paul Chilton .2010. Language, Cognition and Space: The State of the Art and New Directions. Equinix Publishing, London
26. Harriet Hawkins.2021. Geography, Art, Research: Artistic Research in the GeoHumanities. Routledge
27. Tricia Austin.2020. Narrative Environments and Experience Design: Space as A Medium of Communication. Routledge
28. Mahmoud Tavassoli. 2020. Form, Space and Design. From the Persian to the European Experience. Springer
29. Jutta Vinzent.2020. From Space in Modern Art to a Spatial Art History. SpatioTemporality / RaumZeitlichkeit. Apple Books. Walter de Gruyter GmbH, Berlin/Boston
30. Georg Rafailidis and Stephanie Davidson.2017. Processes of Creating Space an Architectural Design Workbook. Routledge
31. Dr. Robert E. Svoboda.1994. Vastu: Breathing Life into Space. Namarupa Publishers /The Ayurvedic Press, Albuquerque
32. V.Ganapati Sthapati, S.P. Sabharathnam.1996. (Shilpi speaks series, 6). Temples of Space-Science. Vastu Vedic Research Foundation, Madras, India
33. Vibhuti Chakrabarti.1998. Indian Architectural Theory: Contemporary Uses of Vastu Vidiya. Curzon Press, Richmond, Surrey.
1. Christine Berberich, Neil Campbell, Robert Hudson .2012. Land & Identity: Theory, Memory, and Practice. Rodopi
1. Peter Boerboom.2017. Drawing Perspective: Methods for Artists. 85 Methods for Creating Spatial Illusion in Art. Rockport
2. Michael Kane.2020. Postmodern Time and Space in Fiction and Theory .Palgrave Macmillan.
3. Laura Chiesa. 2016.Space as Storyteller : Spatial Jumps in Architecture, Critical Theory, and Literature . Northwestern University Press Evanston, Illinois
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Habitats
1. Kellert, Stephen R; Wilson, Edward O. 2013. The Biophilia Hypothesis. Island Press
Vision
1. Takahisa Furukawa, James B. Hurley and Satoru Kawamura. 2014.Vertebrate Photoreceptors: functional Molecular Bases.Springer
2. Michael Land.2018. Eyes To See. Oxford University Press
3. Jan Kremers, Rigmor C. Baraas, N. Justin Marshall.2016. Human Color Vision. Springer
Design
1. Census of India 1961,Assam.Tribiune Press Gohati